Mendelssohn Symphonies Nos
Wedding Ceremony Music ; The Basics – What You Need To Know In Order To Plan A Great The Perfect Wedding
Music for your wedding ceremony is important. This part of the day is the serious time set aside where the bride and groom express their feelings for one another and exchange their vows. That means, all in all, the ceremony is the time set aside for the mushy stuff. Therefore, you probably want to think about slower classical wedding music, new age, or very slow classic rock or pop ballads.
No matter how you look at, there are a few stages to a wedding ceremony, before the bride and groom say I do:
PRELUDE – There should be about four or five songs played as a prelude when the guests are seated. This sets the atmosphere for the guests. If you have no music playing, it feels more like a funeral than a wedding! The music selections should be light and elegant. A different song is often selected when the mothers of the bride and groom are seated.
PROCESSIONAL – The groomsmen and the groom usualy move to the front from the side. They do not walk down the aisle, This signifies that the ceremony is about to formally begin. There are two songs during the processional: one song is chosen for when the bridesmaids enter, and the other song is to be the most dramatic choice, selected for play when the bride walks down the aisle.
RECESSIONAL - One last song is played after the kiss for the bride and groom to walk back up the aisle to. Think happy! The music played in the recessional, should symbolize the happiness of the couple’s new life together.
If you are like many, you probably want the traditional classic wedding music, but have NO CLUE what the songs are called. Here is my playlist when I am told to play the traditional favorites:
1) PRELUDE: Spring, Canon in D, Four Seasons Winter, Jesu, Joy of Man’s Desiring,
2) PROCESSIONAL – Air of The G String
3) BRIDAL MARCH – Traditional Bridal March Song “Bridal Chorus from Lohengrin” Richard Wagner (also known as “Here Comes the Bride.“)
4) RECESSIONAL – The main one is Mendelssohn— ” Wedding March” from Midsummer Night’s Dream (Traditional Recessional), some also select Beethoven’s “Ode To Joy” from Symphony No. 9: Movement 4.
EXTRA SELECTIONS – There can be additional specialized songs selecte at different points in the ceremony, depending on the actual ceremony itself. Sometimes a special song can be played during or after the exchanging the rings and vows, and the lighting a unity candle.
RESTRICTIONS – Some churches have rules about wedding songs used during your ceremony so be sure to ask your clergy person or officiant! Remember, if you are non-traditional, you might get a kick out of white wedding, but your reverend may very well not be a Billy Idol fan.
There is a growing trend to get away from the traditional classic music. However, it is recommended that you shy away from anything upbeat. Adding too much craziness to the ceremony is not recommended, because it takes away from the seriousness of the union at hand. For your wedding ceremony, your music selections should all probably still be softer and with a slower tempo. However, that doesn’t mean you have do the same thing everyone does.
You can totally customize the song selection to fit your taste. There is plenty of good music out there that may be better suited for you than classical music. One of the most moving bridal marches I have seen was set to Enya’s “Only Time.” However, the most memorable one was last summer, when I had a bride who walked down the aisle to Johnny Cash’s “Ring of Fire,” so go figure.
About the Author
Kenny Casanova is a DJ for “The DJ Service” out of Upstate, NY in Albany. After ring announcing with WWE wrestling, he transitioned into becoming one of the best Wedding DJs in his area. He has been DJ’ing for 12 years. Visit Albany, NY DJ Kenny Casanova for more information about how to keep everyone happy at a wedding reception.
Charles Munch / Boston Symphony Orchestra – Mendelssohn: Symphony No.3 | ICA Classics DVD
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Schumann: Symphonies Nos. 2 & 3 “Rhenish” Mendelssohn: Symphonies Nos. 3 “Scotti $28.99 |
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Brahms: The Complete Symphonies / Karajan, Berlin PO $10.52 These 1977-78 recordings are Karajan’s best Brahms–better than his somewhat mannered digital set. The Berlin Philharmonic, as ever, is amazingly smooth and accomplished, playing with great class without losing any power–as an example, just listen to the finale of the second symphony. DG’s engineers have turned this always-good recording into something truly magnificent to hear, and, at the price… |
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Symphonies Nos. 3, 4 and 5 in Full Score (Dover Music Scores) $12.07 The “Scottish,” “Italian,” and “Reformation” symphonies rank among Mendelssohn’s greatest works. All three of these staples of the orchestral repertoire appear here in one convenient volume, reproduced from authoritative Breitkopf and Härtel editions. Attractive and inexpensive, this compilation offers excellent value to both professional and amateur musicians…. |
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Mendelssohn: Sym Nos 3 & 4 $12.98 … |
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Mendelssohn: Symphonies Nos. 3 & 5 $17.39 Andrew Litton and the Bergen Philharmonic have convincingly demonstrated in the two earlier releases in their series of the symphonies of Felix Mendelssohn that they are true believers. The question is whether they can make true believers of their listene |
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Mendelssohn: Symphonies Nos. 1 & 4 $22.61 In these vital super audio recordings from BIS, Andrew Litton and the Bergen Philharmonic Orchestra bring such enthusiasm and high spirits to these fine and frisky performances of Mendelssohn’s First and Fourth symphonies and his Ruy Blas Overture that on |
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Mendelssohn: Symphonies Nos. 1 & 5 $35.99 Through his polished recordings for Coviello Classics, Marcus Bosch has significantly raised the profile of the Aachen Symphony Orchestra, and his recordings of Giuseppe Verdi’s Requiem, Johannes Brahms’ symphonies, choral works by Wolfgang Amadeus Mozart, and a critically acclaimed series of Anton Bruckner’s symphonies have put these musicians squarely on the world stage. With this hybrid SACD recording of Felix Mendelssohn’s earliest full-scale symphonies, Bosch continues his efforts to record the core repertoire in authoritative restorations and gives listeners a chance to hear the music in fresh and vital performances. Being youthful attempts to emulate Mozart, the Symphony No. 1 in C minor and the posthumously numbered Symphony No. 5 in D major, “Reformation” (heard here in its Urfassung version), are generally recognized as precocious but imperfect works and are not as popular as the Symphony No. 3 in A minor, “Scottish,” or the Symphony No. 4 in A major, “Italian,” (which were composed in reverse order, making the numbering of Mendelssohn’s symphonies even more confusing). But they deserve attention for being steppingstones to the later masterpieces, and the vibrant live performances on this audiophile recording enhance their strong points. Recorded in the Eurogress Aachen convention center, this recording doesn’t have the spectacular resonance and spaciousness of the orchestra’s recordings in their customary venue, St. Nikolaus Church, but the sound is alive and remarkably free of audience noises, except for the applause at the end of each performance. ~ Blair Sanderson, Rovi |
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Mendelssohn: String Symphonies Nos. 8, 9 & 10 $12 The Mendelssohn represented on this disc is not the sort of Mendelssohn to appeal to your grandmother. This Mendelssohn is the teenage Mendelssohn: precociously brilliant, more than a little cocky, and all but ready to take on the symphony, the biggest of |
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Symphonies Nos. $12.85 Symphonies Nos. |
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Mendelssohn: Violin Concerto in D minor; String Symphonies Nos. 1, 2, 8 & 10; Etc. [Germany] (Import) $8.53 Mendelssohn: Violin Concerto in D minor; String Symphonies Nos. 1, 2, 8 & 10; Etc. [Germany] (Import) |